T-Mobile has announced that it’s giving customers free data to play Pokemon Go as part of its T-Mobile Tuesdays promotions. Starting next Tuesday July 19, customers will receive free data and a bunch of other discounts (while you “gotta catch ’em all,” the company has to sell accessories). Here are the official particulars from the press release.
Next Tuesday, as part of T-Mobile Tuesdays, we’re thanking customers with:
Unlimited data for Pokemon Go through August 2017
A free Frosty (you gotta stay fueled up to hunt)
A free Lyft ride up to $15 (to explore new Gyms and PokéStops)
50% of select accessories like battery packs (to keep playing for hours and hours)
On top of that, 250 people will win $100 to spend on PokéCoins, and five will win trips anywhere in the US to hunt new Pokemon with a guest.
Out of the four major US mobile carriers, T-Mobile has had the most interesting marketing efforts. This is another stellar example of the company’s fantastic marketing. Pokemon Go is the mobile craze at the moment and it’s borderline shocking that a telecommunications company has taken advantage of the phenomenon so quickly. Then again, this is T-Mobile — the company with the most charming (and quite possibly unbalanced) CEO in the industry. T-Mobile plays loud and bold, so if any of the “big four” took advantage of a modern trend, I’d expect the company to be first.
While free Pokemon Go data through August 2017 is outstanding, the other bonuses are pretty sweet too. The Lyft ride can be useful for finding new Pokemon and going on PokeStop binges. The battery pack discount is fantastic, as an external charger is a must for serious players (I highly recommend this Anker external battery).
T-Mobile’s Pokemon Go promotion is absolutely clever. It makes the company seem more in touch with today’s trends, as it sells lots of accessories. While I’m on old, stodgy, and boring Verizon, I’ve been wanting to switch back to T-Mobile for a few years. I want to support cool marketing efforts and an insane CEO while saving money on my mobile bill. Who’s with me?!?
The Game of Thrones season 6 finale was mostly incredible. There were big revelations. There was an awesome green explosion. There was lots of character development. And there was some of the best acting and music the series has ever known. After two viewings, I’m still trying to digest it all. Naturally, I’d love to hear your thoughts on this year’s finale. For my part, here are 11 observations to get things started.
[Raise your spoiler shields, please!]
1) The Music Was Brilliant: The first sequence of the Game of Thrones season 6 finale felt different from any other scene in the series, simply because of the music. Game of Thrones music is normally string-heavy, but this composition featured piano and cello. The score helped make the sequence feel unique and more powerful.
2) Pycelle’s Death Will Haunt Senior Citizens: I’m pretty sure most people over 65 have this nightmare — a gang of children pummeling you and stabbing you to death. Or maybe this is what makes Santa Claus wake up in a cold sweat in the North Pole.
Tommen Lannister or Jeff Hardy?
3) Tommen Would’ve Been a Great Pro-Wrestler: What did you think of Tommen Lannister’s Game of Thrones season 6 finale exit? Some are saying that he fell out of the castle. Others are saying that he dove out of the castle (in which case, he lost points for not sticking the landing). I’m saying that he went for a swanton bomb. His “suicide dive” totally reminded me of Jeff Hardy’s swanton.
4) Cersei Has Gone Full Sith: Cersei Lannister borrowed one of Maleficent’s gowns and fully embraced the dark side in the Game of Thrones season 6 finale. Her one redeeming quality (aside from her cheekbones) was how much she loved her children. With all of her kids pushing up daisies she probably thought, “F*ck it. I’m going to rule everything!!!” In previous seasons, her plans were never as clever as she thought they were. At the end of this season, she was completely victorious.
Cersei raided Maleficent’s wardrobe.
5) Ned Stark’s Character is Still Being Developed: My heart melted during the Tower of Joy scene, where it was finally revealed that Jon Snow is not Ned Stark’s bastard and is really Lyanna Stark’s son. As fantastic as that reveal was, it really made me think about what an honorable man Ned was. He honored his sister’s last request, keeping an enormous secret from his wife and best friend. He (lightly) sullied his own name and let the world think that he disrespected his wife, all for Lyanna and her son.
Go back and watch the scenes from season 1 where someone bring’s up Jon’s parentage to Ned; you could tell the topic made him uncomfortable and those scenes feel even heavier with the official reveal.
Davos yells, “I said hold the mayo!!!”
6) Liam Cunningham, Actor: The scene with Davos Seaworth dressing down Melisandre was short, but boy was it heavy. Cunningham did the most with his time. You could feel Davos’ anger, anguish, and sorrow coming through. While it was “only” my second-favorite scene in the Game of Thrones season 6 finale, it was definitely the most skillfully acted one.
7) Samwell Tarly Has an Orgasm in the Library: Sam walking into the Citadel library reminded me of the scene in Beauty in the Beast where Belle sees Beast’s library…but taken to the next level. I’m certain Sam had a walking wet dream upon seeing the thousands of books at his disposal. Hopefully he does some research on white walkers and doesn’t get lost in trashy romance novels written by lonely maesters.
8) Lord Wyman Manderly Should’ve Been Fatter: Yes, the showrunners got a large man to play Manderly, but he wasn’t large enough. In the books, he’s derided as “Lord Too Fat to Sit a Horse.” Television Manderly could easily ride on a (sturdy) horse. This was my biggest disappointment with the Game of Thrones season 6 finale.
Lyanna Mormont completely own.
9) Lyanna Mormont Should Rule Westeros: With a thrashing speech, the 10-year old ruler of Bear Island united the squabbling northerners and got Jon Snow declared as the new KingInDaNorf King in the North. This was my favorite Game of Thrones season 6 finale scene on several levels. First, Lady Mormont owns and should be ruling Westeros. Secondly, Jon Snow’s KingInDaNorf King in the North moment mirrored Robb Stark’s nicely. Lastly, I loved the bit of uncertainty thrown in at the end when Sansa stops smiling as she exchanges looks with Littlefinger. Was Sansa happy to throw a wrench into his plans? Or does she want power of her own? I’m curious to see what games, if any, she’ll play next season. She shouldn’t get too ambitious though, because Lyanna Mormont will annihilate her with a glance.
10) Jaime’s Having Bad Flashbacks: The Kingslayer’s return to King’s Landing must’ve been quite a shock. (Let’s assume someone clued him into recent events on the way to the throne room.) He comes home to find that the last of his children died and his sisterlover went all Mad King Aerys. Remember, he’s ridiculed as the Kingslayer, but few people in Westeros know about Aerys’ vile wildfire plans. With his children gone and his sisterlover doing the exact thing he committed regicide for, this is a huge turning point for Jaime Lannister. I’m looking forward to his redemption angle next season. In fact, it wouldn’t surprise me if he ended becoming a Queenslayer as well. That would arguably fit into Maggy the Frog’s prophecy for Cersei.
Team Targaryen has diverse #SquadGoals.
11) Team Targaryen is Ready to Rock Westeros: Daenerys and Varys are fantastic recruiters. Just look at that fleet at the end of the show. You’ve got the Unsullied, Dothraki, and three dragons flying under the Targaryen banner. They’re joined by boats and troops from House Tyrell, House Martell, and House Greyjoy. While Cersei Lannister is sitting pretty in King’s Landing at the end of the Game of Thrones season 6 finale, a formidable force is coming for her from the east. I can’t wait for next season’s battles!
The penultimate episodes of Game of Thrones are almost always the best ones in a given season. With that in mind, “Battle of the Bastards” delivered. By most accounts season six has been a strong outing for Game of Thrones and last night’s episode was the best of the bunch. It was a marvelous blend of emotional moments, brutal choreography, and some of the best cinematography the series has ever seen. Here are some random thoughts on “Battle of the Bastards,” using the RPadTV binary system. Time to don your spoiler shields, please.
Good: This episode must have cost a fortune. Between the dragon CGI and all the people involved in the titular Battle of the Bastards, I don’t know that I’ve seen an hour of TV that looked so expensive to produce. (Leave a comment if you can think of any, please). Okay, now that that’s out of the way, let’s tackle the episode in a (somewhat) chronological fashion.
Good: The action kicks off in Mereen, which has been a dull destination this season…but not today! After a mildly amusing conversation between Tyrion and Daenerys, Dany’s crew has a completely amusing encounter with the wise masters (who are apparently masters of guyliner). After some clever banter, Dany goes into full Khaleesi mode with her three dragons and it’s absolutely glorious. Watching them burn down slaver ships instantly transforms you into a gleeful teenager. Dracarys motherf*ckers!!! On the ground, Daario and the Dothraki slice up the Sons of the Harpy. Back at the top of the pyramid, Grey Worm makes the slavers’ guards wet themselves with a few choice words. The head of the Unsullied then slices two of the slavers’ throats with one shot and (awesomely) takes a few seconds to adjust his vest. The opening is completely exhilarating, mostly because of the dragons, but I got a kick out of Grey Worm too.
Dracarys m@therf*ckers!!!
Good: Outside of Winterfell, the bastards parley. Jon thinks he’s cleverly manipulating Ramsay, but he’s back in “You Know Nothing Jon Snow” mode. As expected, Ramsay is in psychotic dick mode and accentuates the word “bastard” while talking to Jon. Snow asks for a one-on-one battle, but Ramsay refuses. The Battle of the Bastards is on.
Good: Jon’s Battle of the Bastards war council devises a plan. It’s quite clear that Davos is the smartest person in the room (militarily speaking). They come up with a desperate strategy that hinges on them being patient and letting Ramsay’s forces charge. Sansa chides Jon for not valuing her knowledge of Ramsay. She tells him that Ramsay plays and doesn’t get played. Jon responds with, “Oh yeah? I fought white walkers!” Sansa is cold, dismissing her brother Rickon’s chances at survival. She’s also secretive, not telling Jon about her messages to the Vale and the forces that are coming. Some people dismiss this as idiocy, but I see it as her being manipulative. If the Arryn soldiers were already with Jon’s crew, Ramsay would have happily holed up in Winterfell and outlasted a siege. Showing up with a relatively small army gave Ramsay the confidence to come out and play. Sansa’s desire to see Ramsay dead is equal to her desire to reclaim her family’s home. That’s my theory, anyway.
Good: Davos and Tormund have a fun conversation before the former goes off to be alone with his thoughts. Jon visits the (still) despondent Melisandre. He asks her not to bring him back if he dies again. They wonder why the Lord of Light brought him back in the first place. Their exchange is meant to give Jon a sense of vulnerability in the Battle of the Bastards, but any reasonable fan knows that he’s going to survive. The scene shifts back to insomniac Davos, who comes across some snow-covered ashes and finds the stag toy he gave to Princess Shireen. He realizes that the little girl that taught him how to read was burned to death and it’s a powerful scene. The shot of him standing over the pyre, with the sun coming up and his cape blowing in the wind is just beautiful. It’s the Game of Thrones equivalent of Luke Skywalker staring at the twin-sun skies of Tatooine. Before Davos can dwell on this morbid revelation, the battle horns sound.
Davos wonders how Shireen’s toy got on this pile of ashes and child bones.
Good: Back to Mereen for a quick bit, Asha Yara and Theon have come to parley with Dany. They offer her 100 ships and their support, in exchange for granting the Iron Islands independence. Dany agrees on the condition that the Iron Islanders cease their rape-and-pillage lifestyle. There are several interesting things here. It’s nice to see both Tyrion and Theon comfortably slip into the role of valued advisor. The bigger thing is the connection between Dany and Asha Yara. They identify with each other — women in a male-dominated world, insane fathers, usurpers that killed their insane fathers, etc. They both admire what the other is doing and there’s an instant bond. Naturally, most immature male viewers want them to be a lesbian couple. This immature male viewer would rather see them form a Taylor Swift squad of kick-ass Westerosi women. Naturally, leadership would eventually go to Lyanna Mormont.
Good: The combatants in the Battle of the Bastards are lined up! Ramsay starts the skirmish in an expectedly sadistic way — releasing Rickon while firing arrows at him. Apparently Rickon never played tag as a kid, because moron runs to Jon’s side in a straight line. His chances of survival would have went up exponentially if he zigged and zagged. Serpentine, Rickon, serpentine! After a few playful misses, Ramsay shoots Rickon straight through the chest. More importantly, Ramsay played Jon as Sansa predicted. He idiotically leaves himself open in the middle of the battlefield. Inexplicably, Jon opts for a 1-on-6,000 battle and continues to rush the enemy. Thankfully, Davos is smart enough to realize that they have no choice but to cancel their plans and charge into battle, in order to defend their leader.
Good: From here, the Battle of the Bastards gets completely nuts. It appears as if Ramsay’s forces are going to slice up Jon, but Snow’s team rushes into the fray. The melee combat is chaotic and intentionally disconcerting. On the fringes of the battle, there’s a nice contrast between the teams’ ranged strategy. Davos opts to hold fire, since they’d end up killing some of their own men. Ramsay lets the shots fly, oblivious to any collateral damage. It’s also interesting that Jon chooses to fight with his men, while Ramsay calls the shots from a safe distance.
Five minutes into the battle, Jon is a bloody and dirty mess. He goes into beast mode, dealing death at a rapid pace while miraculously avoiding volleys of arrows (some call it plot armor, but I’m chalking it up to R’hlorr). The combat is visceral and frenzied (totally admired the choreography, filming, and editing). Ten minutes into the Battle of the Bastards, there are piles of dead bodies fertilizing the plains of Winterfell. It gets to the point where fighting is taking place on top of small hills of corpses.
The Battle of the Bastards escalates as Davos’ unit charges the field and Smalljon Umber’s does the same for Ramsay’s side. Unfortunately for the good guys, they’re encircled by Ramsay’s soldiers in a phalanx-like formation. The baddies keep closing in, stabbing Snow’s army with pikes while forcing them into a tighter space. Within the circle of death, Wun Wun gets to show off his giant-ness. More chaotic melee combat ensues. You see spilling guts and severed limbs. It’s all hypnotically awful.
The Free Folk try to retreat from the phalanx and attempt to charge over the hill of corpses. Jon gets caught in the charge in an amazing sequence. He’s drowned by bodies and the sensation of helplessness is palpable. He’s trying to make it through the dead bodies surrounding him and the live ones running him over. I actually felt claustrophobic as I was watching the scene.
It looks like a total victory for Ramsay…when suddenly the knights of the Vale arrive. Borrowing a page from the Rohirrim, they break through the phalanx. After getting his ass handed to him by Smalljon, Tormund bites out his jugular and stabs him with a tooth. Wun Wun starts smacking around Ramsay’s soldiers with a shield. The tide has turned, as Littlefinger and Sansa watch from afar, satisfied by their machinations.
Littlefinger’s thinking, “I’m gonna get some tonight!”
Good: Ramsay retreats to Winterfell Castle, pursued by Jon, Tormund, and Wun Wun. The Bolton Bastard thinks he’s safe inside the castle walls, but a barricaded door is no match for a giant. Wun Wun breaks through the door, but takes a ton of arrows. He ends up looking liking a giant-sized version of dead Boromir. He’s moments away from death and has a nice unspoken scene with Jon…that’s ruined from a Ramsay arrow to the eye.
Jon and Ramsay go one-on-one. For some reason it’s bow-and-arrow vs. shield. Uh…okay. It ends with Jon punching Ramsay into a bloody pulp. He’s about to beat him to death, but spares him for his half-sister. After all that she’s been through, it’s Sansa’s right to deal with Ramsay.
And she does so in a satisfying though predictable way. With his predilection for feeding people to his dogs, I thought Ramsay would die by getting eaten by his own dogs or getting eaten by Ghost. Ramsay wakes up in the kennels, tied to a chair. Sansa says that the world will forget him and his house. She watches as Ramsay’s own dogs eat him, before walking away with a feint smile. It’s a remarkable turn for Sansa. She left Winterfell as an idealistic and foolish girl that dreamed of marrying the prince. She returned as a hardened and manipulative woman that didn’t think twice about her brother being a casualty of war or feeding an enemy to dogs. That’s quite the 180, don’t you agree?
Lastly, I totally marked out when the direwolf banners replaced the flayed man banners at Winterfell. I hope the change is made in the opening credits too.
Team Snow about to slay some Bolton ass.
Bottom Line: This was an amazing episode of Game of Thrones. The battle in Mereen and the Battle of the Bastards were fantastic. The action was incredibly well executed, while there was enough entertaining dialogue. There are some viewers that are saying the episode was predictable and derivative of The Lord of the Rings movies, but those are the kind of people that eat fun and crap misery. This is up there with the other huge battle episodes like “Hardhome” and “Blackwater.” It’s the best episode of a very strong of Game of Thrones.
Virtual reality (VR) has the potential be as ubiquitous as the television set or smartphone. The technology for these immersive headsets has drastically improved over the last four years, and for the first time, VR is available to the consumer at a price point that does not break the bank. This has…
The following is a virtual reality feature given to RPadTV by author Geoff Blough.
Virtual reality (VR) has the potential be as ubiquitous as the television set or smartphone. The technology for these immersive headsets has drastically improved over the last four years, and for the first time, VR is available to the consumer at a price point that does not break the bank. This has led to an explosion of new virtual reality technology that will open the door for VR to be a part of everyday life.
“People are going to stop having guest bedrooms and start having VR rooms,” said quality assurance analyst for Personify and VR expert Hunter Kent.
Statista, an online statistics website, projects significant growth in the VR industry. Projections are set to see an increase in VR hardware and software sales from $90 million in 2014 to $5.2 billion in 2018. Statista also projects that the VR industry will reach 171 million active users by 2018.
Sensorama
The origin of virtual reality can be traced back to the 1950s with the Sensorama, a cabinet similar to an arcade game. The user would sit down and be surrounded by screens. Video, sound, and even smells would be manipulated within the hood of the machine. Fast forward to 2016, many of the same elements are being used to create a sensory experience. The cabinets have now morphed into headsets that can track movement in a three-dimensional environment.
Though games have been the most common application of virtual reality, this is just the tip of the iceberg with regard to what virtual reality can provide. Enterprise applications currently drive most of the profits for VR. With 360-degree cameras, VR can be used to transport a user to famous historical landmarks around the globe. Users can even enjoy a live concert in New York while sitting on a coach in Los Angeles. Wheelchair-bound individuals can now visit places through VR that were impossible in the real world. Additionally, virtual reality now has medical applications. Surgical training has typically been practiced on cadavers, but now a simulator can give a medical student the same experience without access to a cadaver or a real patient.
“I envision the future VR as kind of the way smartphones changed people’s relationship with technology. I think VR/AR (Augmented Reality) will be even quicker to adopt once we hit the critical mass threshold, and will start becoming integrated with many, if not all, areas of people’s lives. There is so much potential in the non-gaming space, that I think we’ll probably see corporate adoption of VR before we see gamers embrace it wholeheartedly,” said Fox Buchele, developer and CEO of Fox Game Studios.
One example of embracing virtual reality in the non-gaming space is TheWave. It’s virtual reality music software that creates an interactive experience for both the performer and the audience. TheWave allows the performer to not only control the music as most DJ software does, but also create light shows that change depending on the frequency, beat, and tone of the music. A performer in TheWave can even take tracker and physically give them to the audience members who are watching the performance in their own virtual reality headsets.
Finn Staber, chief technology officer and co-founder of WaveVR, Inc. said, “We want to avoid ‘gamification’ with TheWave, and allow people to perform in their virtual venue as they would with a musical instrument or DJ interface in a real world venue.”
Gamers are still the target market for virtual reality. Videogames being released specifically for virtual reality are allowing gamers to finally enter the world they could only see on televisions in the past. The Void is a company that is creating a completely new experience. Not only is it creating the world that gamers can interact with a virtual environment, The Void is building real world sets that translate directly to the software. This allows for a completely interactive world that players can feel as well as see.
“This is going to replace laser tag venues,” said Kent.
Job Simulator is a game that not only allows players to interact in a fictional parody of everyday cubicle life, it allows for the player to set up cameras so others can join in the action. This kind of interaction was only dreamed about before virtual reality.
Augmented Reality has the ability to bridge the gap between current technology in smartphones and computers to the world of virtual reality. AR differs from VR as it overlays the real world, instead of creating an immersive world under a headset. Google Glass was an early example of AR technology. Typically, AR is created with glasses that have screens integrated into the design. These devices can provide the user information vital to their day. Google, Microsoft, and Magic Leap are companies currently developing AR technology.
“Imagine what you see in Minority Report, being able to manipulate numerous folders with gestures. What took several monitors now only takes one AR headset,” said Staber.
Google Cardboard
The most basic virtual reality headset available right now is Google Cardboard, a cardboard box that accepts almost any smartphone, and the Samsung Gear VR which only works with the newer Samsung Galaxy phones. According to economics website The Motley Fool, Google Cardboard has been downloaded from the Google Play store over 10-million times. Samsung recently offered a deal for consumers by giving away free Gear VR headsets to all new pre-orders of the phones. This has allowed Samsung to reach an audience that may not have been excited about the idea of virtual reality in the past.
“I got it for watching movies and TV shows and demoing how far VR tech has come to people who aren’t familiar with it. Whether you have anxiety flying or get motion sick while riding in a car, people are already using Gear VR to deal with these issues. You can zone out on a flight or watch movies, which is what I do,” says Kent.
Recently, two new virtual reality headsets have hit the consumer market. The Oculus Rift was released on March 28 while the HTC Vive went to market on April 5. Both of these headsets require powerful personal computers to work effectively. These headsets provide a completely immersive experience that the smartphone headsets are unable to provide. These headsets have similarities, but differ on how they provide motion tracking.
The Oculus Rift started as a Kickstarter campaign in 2012 as a development kit. The campaign earned $2.5 million in order to produce and ship the development kits to backers. Though mostly purchased by software developers, many VR enthusiasts purchased the development kit as a way to preview the technology. In 2014, Oculus was purchased by Facebook for $2 billion. This gave Oculus the capital to push their consumer level Rift to market.
The Rift includes a VR headset with basic head tracking and integrated speakers for sound, a head tracking camera, wireless remote, and an Xbox One Wireless Controller. The Rift is priced as $599 and is available for purchase on the Oculus website with turnaround time of about three months. On May 6, the Rift will be available at Best Buy for retail purchase. This headset has been popular because users do not need to move around the room in order to experience the immersion of VR.
HTC Vive
HTC Vive is the major competitor to the Oculus Rift. The Vive also ships with a headset but this headset also has an external camera so the user can see the outside world while wearing the device. The Vive comes with two wireless controllers with tracking capabilities. Also included with the Vive are two tracking sensors that provide full room tracking. This allows the user to move around and manipulate the three-dimensional world created by the software. The HTC Vive is available on their website for $799 with a similar turnaround time as the Rift.
Sony also has plans to release a virtual reality headset for its PlayStation 4. The PlayStation VR, only works with Sony’s platform and will be released in October 2016. The headset bundle comes with the VR headset, two motion controllers, a tracking camera and a game that showcases the abilities of the platform. The bundle will be available in retail store for $499 and is also available for $399 for just the VR headset.
Developers are excited to work on both of the major platforms. Currently, most are aiming toward the Oculus Rift. Developing software on the Rift is easily ported over to the Vive as the motion tracking are not required in Vive software. The reverse is a bit more difficult because of the tracking not being as capable on the Rift. Because of this, publishers are a bit more apprehensive to develop for the Vive. “Publishers think developing a game specifically for the Vive is much more of a risk right now. Whereas most games developed for the Rift are playable on a normal monitor,” said Kent.
Virtual reality and augmented reality are moving at breakneck speeds. Developers, gamers, and non-gamers alike are excited for the possibilities that VR/AR can bring to the world. As the adoption rate increases, the prices will start to come down allowing for even more people to afford the hardware. VR/AR has potential in the creative and enterprise spaces in ways that have only been seen in science fiction. One day, there may be technology that will rival the holodeck in Star Trek. This kind of innovation drives the human race to places no one has gone before.
Captain America: Civil War is the best Avengers movie Marvel Studios has made. That was an easy conclusion to arrive to. It’s quite possibly the best or, at the very least, one of the three best movies from the studio. After seeing the movie last night, that seemed like a reasonable opinion, but I wanted to sleep on it in order to give my movierection (a medical term) a chance to settle down. After reflecting a bit on Captain America: Civil War, I can totally understand the argument that it’s the best Marvel Studios film to date and also accept the opinion that it’s not. Let’s keep the examination going, with the RPadTV binary not-a-review of Captain America: Civil War.
[Turn on your spoiler shields!]
It’s An Avengers Movie, Not a Cap Movie (Good): Although he’s the titular character in Captain America: Civil War, this is very much an ensemble movie. Sure, Cap and Iron Man are at the forefront, but many characters get a chance to shine. Some help drive the plot forward (The Winter Soldier, Black Panther), while others are comedic scene stealers (Ant-Man, Spider-Man). Whatever the case may be, this is definitely an Avengers film…and the best one ever, at that.
Scarlet Witch Still Sucks (Bad): I’ve been high on Elizabeth Olsen for years, but was puzzled by her portrayal of the Scarlet Witch in The Avengers: Age of Ultron. Once you get past her hotness, I’m not sure what she does for the movie. Speaking with a bad accent and doing funny things with her fingers doesn’t add much to the film. That said, these are very minor criticisms of Captain America: Civil War. That’s how good the movie is — you have to actively look for flaws and it’s difficult to find anything significant.
Tony Stark is a Dick (Good): Similar to his heel turn in the Civil War comics, Iron Man is pretty much a dick in the movie. His emotions are manipulated (perhaps too easily), leading to irrational thoughts and actions. I suppose your political leanings come into play on whether you’re #TeamCap or #TeamIronMan, but to me, Tony is clearly the villain in Captain America: Civil War.
Avengers, Disassemble!
Wonderfully Diverse Comedy (Good): I loved the humor in this movie. It’s frequent and diverse, without getting in the way of a serious conflict. Ant-Man’s bits were wonderful. Spider-Man will win the hearts of millions. I even enjoyed the deadpan rapport between Falcon and Winter Soldier. For me, this is what separates Captain America: Civil War from Captain America: The Winter Soldier. Many cite the latter as Marvel Studios’ best, but I prefer Civil War. I won’t argue with anyone that thinks The Winter Soldier is Better, because that’s an understandable opinion, but I’ll watch Civil War exponentially more in the future, simply because the comedy balances the drama. Also, the jokes about Marisa Tomei’s age and beauty were excellent…though I’m still not sure the world is ready for Hot Aunt May.
Lack of Anger Management (Bad): While I understand that they needed to be Cap’s antagonists, it was somewhat disappointing to see Iron Man and Black Panther suffer from ridiculous mad-ons. The former is supposed to be one of the smartest people in the world, while the latter is supposed to be one of the noblest Avengers. For most of the movie, both gave into their anger and went full Sith. Much of the conflict would have been avoided if everyone — those two in particular — calmed down and applied some rational thought to the situation. Of course, the movie would have been much shorter….
The New Guys (Good): Although he was irrationally angry for much of the film, Black Panther was pretty frickin’ cool. His fight scenes were dynamic and his costume looked great. Ant-Man (new in The Avengers movie sense) was pretty awesome on several levels. I mentioned his comedic bits before, but I love the way the movies portray his shrinking powers and it was brilliant to see him as Giant Man for a bit. Spider-Man lived up to his comic-book adjectives — amazing and spectacular. Spidey’s CG was fantastic and it was fun having an innocent character around for a heavy conflict.
You’re either #TeamCap or a communist traitor
Second Comings (Good): Winter Soldier and Falcon have grown into their characters nicely. I’m a huge mark for the comics version of Winter Soldier and Bucky Cap. Sebastian Stan was very good in that role. Falcon, who’s pretty lame in the comics, was great in the movie. Anthony Mackie did an admirable job as the Avenger’s birdman. His new tech made him look cool and he brought a confidence to the role that makes him much more than Captain America’s token African-American friend. That said, I will always see him as Papa Doc from 8-Mile. It would have been awesome if the Civil War conflict came down to a freestyle rap battle between Falcon and Vision.
Wanton Violence (Good): In previous Avengers movies, the good guys spent most of their time beating up aliens and robots. You never really felt the weight of the violence. Seeing Captain America and Iron Man bloodied, bruised, and battered hit much closer to home. The violence was borderline shocking, especially because former friends and allies were truly taking it to each other.
Best Action Ever (Good): Marvel Studios has really upped the ante on its action sequences. Whether it’s visceral melee combat, thrilling chase scenes, or fanboy-squeal inducing super-power sequences, Captain America: Civil War has raised the bar for Marvel action. I enjoyed every bit of action in the movie and will certainly pay to see it again.
Masterful Pacing (Good): I was shocked to see that the runtime of Captain America: Civil War is 146 minutes. The directors and writers did an incredible job of weaving action and comedy into a dramatic conflict, allowing the film to move at a zippy pace. While I loved Captain America: The Winter Soldier, that movie feels like it’s 136 minutes.
Spidey-Cap?
Bottom Line: As I was leaving the movie, I said to my excellent friend Paul, “It’s hard to think of anything wrong with that movie.” While I understand that abandoning logic was necessary for the hero vs. hero conflict, the worst thing I can say about Captain America: Civil War is that Scarlet Witch’s accent and finger motions were silly. For me, it’s definitely in my top three Marvel Studios films, along with Guardians of the Galaxy and Captain America: The Winter Soldier. There’s a good chance that it’ll end up being my favorite (I need to see it a few more times). Its combination of amazing action, excellent comedy, and a weighty conflict completely worked for me.
For another take on Captain America: Civil War, check out this PaulSemel.com review.
As many of you know, I’ve taken an expanded role at Vaping360. The vast majority of my vaping content — articles and videos — will end up on that site. There will be an odd sprinkling of vaping articles on RPadTV every now and again, but if you want to keep up with my latest vaping content then please bookmark my Vaping360 author page. Vaping360 is already a major player in the vaping world, but in the immortal words of Bachman Turner Overdrive, “You Ain’t Seen Nothin’ Yet.” The site has some huge plans for 2016, including the relaunch of its YouTube channel (featuring me!). As someone that writes for the site and reads lots of articles by other writers, I’m tremendously excited by the site’s evolution. So please, please, please keep up with my Vaping360 adventures.
For years, I’ve been telling anyone that would listen that Olivia Munn is pretty much the worst person alive today. Although her popularity is booming, more and more people are starting to realize the truth about Olivia Munn — she’s a horrendous human being. The latest news comes from The Golden Lasso, that bravely pointed out how The Newsroom actress lied about doing her own stunts. The succubus has been making the media rounds promoting X-Men: Apocalypse and told reporters, “It was important to me that I was able to do all of the stunts.” The only problem is that she had a highly capable stunt double.
I strongly recommend checking out The Golden Lasso article for the full details on Olivia Munn’s big lie and information on the amazing stunt actress (Julia Rekaikyna) that was denied credit. I’ll use the rest of this space to reinforce what you should already know — Olivia Munn is wretched.
First, it’s appalling that she tried to take credit for someone else’s work and pretended to be something she’s not. That said, most people I know that worked with her at G4tv would say that’s typical behavior for Munn. In her G4tv days, she pretended to be an uber-nerd in order to make herself more appealing. Now she’s pretending to be an acrobatic sword master in order to make her seem like a legitimate action star.
As my pal Cliff Bleszinski noted, “Folks, Olivia Munn is a bad person. She is the embodiment of appropriating nerd culture and using it for her gain. Don’t trust her.” That tweet is bursting with accuracy and wisdom.
If you’re a proud male heterosexual nerd or a proud female homosexual nerd then please, please, please don’t be fooled by Olivia Munn. While she’s physically attractive and can be an entertaining actress, she’s simply a terrible person that’s trying to take advantage of your awesome nerdiness. In the immortal words of Public Enemy, “Don’t believe the hype!”
[Special thanks to my excellent friends Tom and Tricia for making me aware of this instance of Olivia Munn being awful!]
Amazon has ordered a pilot for The Tick. The show will, of course, star Ben Edlund’s wonderful comic-book creation. In addition to excellent comics, The Tick has previously starred in an animated series and a live-action series. The live-action show was lauded for Patrick Warburton’s fantastic portrayal of the bumbling hero. While Warburton won’t be returning to star as The Tick on Amazon, he’s expected to be one of the show’s executive producers, according to Deadline.
For those of you not familiar with the character, The Tick is an incredibly powerful superhero that’s supremely kind hearted and supremely dimwitted. He was originally created as a parody of popular comics heroes. Fans loved his misadventures, attracted to the comedic tales of an amnesiac hero that always has the best intentions and seldom has an idea of how to optimally use his formidable powers.
While the protagonist hasn’t been cast, the sidekick has. Deadline reported that Griffin Newman will be playing Arthur. An accountant with a moth costume that enables him to fly, Arthur tries to serve as the brains of Tick’s operations, but is often exasperated by the hero’s stupidity. The two have a strong bond and their dynamic is one of the main ingredients of The Tick’s charm.
Ben Edlund will be writing and producing The Tick for Amazon. Wally Pfister is in negotiations to direct the pilot, which will hopefully be given the green light to become a proper series.
While I’ll miss Patrick Warburton as The Tick and David Burke as Arthur, I’m greatly looking forward to the upcoming Amazon pilot. There’s something about the character that just makes you feel good. The world is always a better place when new content featuring The Tick is being created. With some luck, the lovable blue hero will be starring on Amazon for years to come.
Embedded below is the red band trailer for the sixth season of HBO’s Game of Thrones. There are some pretty cool reveals in the trailer. Before I get to that, let’s get the red-band content out of the way — there’s some blood and Melisandre starts to show her boobs. There’s a lesbian kiss too, but I don’t consider that “red band” material. As far as red band trailers go, this one is pretty tame. Now let’s move onto the big reveals! (Raise your spoiler shields, please!)
The first, and probably the most obvious, is that Jon Snow is not dead. Yeah, there are a lot of bits in the trailer that (amusingly) try to suggest that Ned Stark’s presumed bastard is sleeping with the daisies (or whatever flowers they have in Westeros), but if you pay attention then it’s pretty obvious that Jon Snow is alive. Some of the dialogue that suggests he’s dead is clearly mashed together from different scenes (that likely have little to do with each other). Most importantly, there’s a quick bit of a man with frizzy hair charging into a battle. I’m positive that man is Jon Snow. Actor Kit Harrington’s hair (which always looked like long pubic hair to me) is easy to spot.
The part that I’m most excited about is the Tower of Joy. Long rumored to be in Game of Thrones season six, the trailer has what appears to be two flashback scenes featuring a young Ned Stark at the Tower of Joy. As fans of George RR Martin’s A Song of Ice and Fire books know, what happened at the Tower of Joy is a huge deal. The books haven’t revealed the full details yet, but season six of Game of Thrones will have content that has yet to appear in print. Many book fans are hoping that the flashback scenes will show Jon Snow’s true parentage and what was behind the weight on Ned Stark’s shoulders all those years. As a fan of the books myself, I can’t wait for the Tower of Joy flashback.
There’s lots of other cool stuff in the trailer and I’d love to hear what stood out the most to you. Kindly give it a peep and let me know what you think in the comments section.
Here’s a pair of articles I recently wrote for Vaping 360. The first is a look at the trend of 60ml and 120ml bottles at retail vape shops. With many vapers using sub-ohm tanks and high-wattage box-mods, e-liquid consumption is higher than ever. For some vapers, 15ml bottles are no longer cutting it. Longtime e-liquid makers are moving to 30ml bottles and larger. There are even some companies that are skipping those sizes and only using 60ml or 120ml bottles. People from The Vapor Spot, Vapor Land, Boilermaker Vapor, Jiu Jit Juice, Vape One Twenty, and Vape Breakfast Classics were interviewed for this article.
The second piece is a look at issues with the Wismec Reuleaux RX200 and third-party atomizers. A friend of mine pointed me to a Reddit thread on the Reuleaux RX200 not playing well with the Smok TFV4. Both products are very popular and it’s unfortunate that some vapers are having issues with the combination. The 510 connection on the Reuleaux RX200 is relatively short, while the 510 connection on the TFV4 is relatively long. This can cause the spring-loaded pin of the device to bottom out, essentially bricking it. The kicker is that using the Reuleaux RX200 with third-party atomizers voids the warranty.
Anyway, please check out both of those articles when you have a chance. It was fun for me to do a bit of vaping jarnalism journalism.
