Coffee Talk #652: Random Thoughts on Daredevil (Netflix)

After a trio of binge-watching sessions, I finally got around to finishing Daredevil on Netflix. The first of several direct-to-Netflix series of the Marvel Cinematic Universe (MCU), all 13 episodes of Daredevil were released on the streaming service on April 10, 2015. A few of you RPadholics and many of my friends binge-watched the show over the release weekend, but I spaced out my viewing sessions (partially to savor it and partially due to other commitments). After finishing Daredevil and thinking about it for a day, I’ve come to the conclusion that I really, really enjoyed the series, but absolutely love what it does for the MCU. I’ll break down my likes and dislikes below, but first a bit on why I love what Daredevil means for the future of the MCU.

As I mentioned, Daredevil is the first of several Marvel series coming to Netflix. For various reasons, the company chose Netflix to highlight its “street level” superheroes. Following Daredevil, Netflix will have shows starring Jessica Jones, Luke Cage, and Iron First. While the Avengers combat alien invasions, Captain America battles giant Nazi organizations, and Thor faces off against demigods, the street level heroes fight everyday crime. Daredevil beats on muggers, Luke Cage fights gangs, Jessica Jones has a private investigation firm, and Iron First has girly yellow slippers. I love that this facet of Marvel is being explored. While these heroes aren’t as powerful as a Norse god or a man in billion-dollar armor, they’re easier to relate to and arguably more interesting because of their vulnerabilities. The street level heroes are a brilliant contrast to the Avengers and help diversify the MCU.

I also love that all 13 episodes were released at once on Netflix. Yeah, you don’t have the weekly water-cooler chats about the show, but I love that I can watch as much Daredevil as I please whenever I please. People love to binge-watch these days and being able to binge-watch a brand new show is very, very cool.

Now let’s move on to some random thoughts (binary style!) about Daredevil. I know that many of you have finished the show already and I’d love to hear your thoughts on it. Please share them in the comments section. Now activating binary mode. (Activate your spoiler shields!)

Daredevil Netflix red costume

Good: I’m sure some parents’ and/or Christian groups will be appalled that I’m celebrating Daredevil’s violence, but that aspect of the show was unique compared to the violence in the MCU movies. Sure, Cap, Thor, and the gang take their fair share of punches, but the violence in Daredevil is far more bone-crunching. There are several episodes where you think the hero’s powers aren’t enhanced senses, but the ability to absorb a decade’s worth of ass-kicking in 30 minutes or less. Daredevil takes several beatings throughout the 13 episodes and unlike a Norse god getting smacked by a frost giant, you can imagine what those beatings were like.

Daredevil gives as good as he gets too (otherwise, he’d be dead after two episodes). The beatings Daredevil doles out are straight-up nasty and Kingpin’s use of a car door makes me a little bit scared of my Ford Focus Electric. Appropriately, the street level heroes face street level violence.

Bad: Television shows have a certain rhythm, usually planned around commercial breaks. Since direct-to-Netflix shows don’t have such annoyances, the directors are liberated. In some cases, the unusual pacing can be pleasantly surprising. In others, there are dull stretches. While I liked Daredevil’s lack of predictable beats, there were several episodes that could have been better with more traditional pacing. Sometimes giving directors and editors freedom isn’t the best.

Good: Kingpin absolutely ruled. Between Vincent D’Onofrio’s performance and the material he had to work with, this version of Kingpin is my favorite live-action portrayal of a comic-book villain ever. I’ve never watched a villain so nuanced and layered. D’Onofrio’s Kingpin was powerful, gentle, ruthless, caring, maniacal, child like, romantic, and sadistic. Sure, he had 13 episodes to develop the character, but his performance was flat-out impressive no matter how you slice it. It’s awesome how you can find be terrified of Kingpin in one scene and feel sorry him in a scene where he’s on an awkward date.

Daredevil Netflix Kingpin

Bad: While Kingpin owned and the supporting cast was strong, I found Charlie Cox a little bland. In the comics, I enjoy reading as much about Matt Murdock as I do his alter ego. In the show, I couldn’t wait for Murdock to put on his costume and kick some ass. Part of it has to do with Cox’s stupid grin, which is just asking to be smacked. It’s not that he was bad; I just found the rest of the cast more entertaining.

Good: As I mentioned in the last paragraph, the supporting cast was strong. My favorite episode was probably the seventh, which featured Daredevil’s trainer Stick. I love this character in the comics and was thrilled to see him on television. Scott Glenn’s interpretation of stick was lots of fun.

A close second was the tenth episode, “Nelson vs. Murdock.” In the previous episodes, I enjoyed Elden Henson’s version of Foggy Nelson, but he killed it in this one. It would have been easy and lazy to rely on Foggy purely as comic relief. Having him challenge Matt — questioning his existence as Daredevil and their decades-long friendship — made for a powerful episode.

Good: There were lots of cute nods to fans of the comics. I loved the crack about Vanessa dating a guy that wore white suits with purple cravats (Kingpin’s traditional outfit in the comics). Mentions of the Greek girl Matt dated in college set the ground for a future appearance by Elektra. While Karen Page was victimized throughout the series, the use of heroin in the show made me worry that the writers will follow the books and make her an addict in the future. While they were forgettable asides for people new to Daredevil, they were also nice bits for longtime fans of the character to hear.

Daredevil Netflix Matt Karen

Bad: As expected, Daredevil took a few episodes to come together. The first few episodes ranged from decent to good. It wasn’t until the fifth episode that Daredevil really took off.

Good: Rosario Dawson is amazingly sexy.

Bad: Poor Ben Urich. I was hoping to see him in the upcoming Spider-Man reboot, but his MCU version is no more. (Note to RPadholic Smartguy: Why aren’t you complaining about Daredevil Ben Urich being black?!? :p)

Good: I loved the way that the first season ended. Ultimately, it was about Wilson Fisk throwing away his altruistic (though misguided) side and truly becoming the Kingpin, just as much as it was about Matt Murdock finding his way (and an honest tailor) and fully becoming Daredevil. It was a great build that left me wanting more. On a side note, I’ve always wondered why other superheroes never messed with Daredevil on April 1, replacing his red costume with a turquoise and fuchsia getup…but perhaps that’s just me.

Good: While I wouldn’t go as far as saying that Daredevil is the best part of the MCU (which some others have proclaimed), I very much enjoyed the show and love that it laid the groundwork for future street level exploits. Bring on Jewel Jessica Jones!

Coffee Talk #651: Cutting the Cord With HBO Now

Last week, I made the decision to cut the cord and cancel my AT&T U-Verse TV service. The recent launch of HBO Now and the fairly recent launch of Sling TV precipitated the change. With those two streaming television services, I have access to Game of ThronesLast Week Tonight with John OliverESPN, and the first few rounds of the NBA playoffs — vital parts of my TV consumption. My existing Netflix (comp account) and Amazon Prime subscriptions already provide a great selection of movie and television content. HBO Now and Sling TV give me even more to choose from — certainly more than I need. When you add up all the subs, it’s still cheaper than my monthly U-Verse TV package.

One week in and I’m a happy camper. The Game of Thrones premiere streamed without a hitch, I’ve got my weekly dose of John Oliver, my lunchtime break of Around the Horn and Pardon the Interruption continues, and I get to watch NBA games. While people had problems with Sling TV during March Madness and some people had issues with Game of Thrones on HBO Now last night, those services have been working flawlessly for me. I’m getting almost all the content I want and saving money!

Of course there are things that I’ll miss. Chief among them is live boxing. Unfortunately, HBO Now doesn’t feature the network’s live sports broadcasts. Showtime also has a bunch of live fights that I’d like to see. Since I’m no longer a U-Verse subscriber, I won’t have access to boxing pay-per-view events. Hopefully a solution will present itself in the future. For now, I’ll just have to go to bars or make drop-in visits to friends with cable in order to enjoy boxing. Keep in mind that all of this was expected. Being a hardcore boxing fan is really expensive. You need a cable or satellite subscription, premium networks, and pay-per-view to follow the sport live.

Cutting the cord has been liberating. It’s cheaper and (for the way I like to watch television) better. Yeah, I’ll be lumped in with those Silver Lake hipsters that love to brag about how they cut the cord years ago, but it only made sense for me now. Game of Thrones has been my favorite TV show for the last four years and there’s a bunch of other HBO content that I love (despite the presence of the wretched Olivia Munn). HBO Now gives me all of that. With baseball kicking off and the NBA playoffs starting, this is my favorite time of the year for sports. Sling TV has me covered. Watching TV solely through streaming services is less expensive and kind of cool in that “Hey, look at me! I’m a futurist!” way. For my television habits, Netflix and Amazon Prime were a great start, but HBO Now and Sling TV sealed the deal.

I know that RPadholic Smartguy has cut the cord. Care to give an update on how your experience is going? For you other guys and dolls, what would it take for you to cancel your traditional cable service and go full streaming? Leave a comment and let me know (please)!

Stephen Colbert Defends the Crossguard Lightsaber (Star Wars)

One of the latest Star Wars controversies, the crossguard lightsaber shown in the teaser trailer for The Force Awakens has sparked a ton of nerd debate. Some fans think that it looks cool and could possibly serve as an excellent defensive tool. Other fans think that a crossguard lightsaber is almost as dumb as Darth Maul’s double-bladed lightsaber and that it has great potential to damage the user. As with so many situations in the world, Stephen Colbert added some much needed wisdom to the discussion.

In a recent episode of The Colbert Report, Colbert talked about his background as a lifelong Star Wars geek and nerdily gave reasons why a crossguard lightsaber makes sense. Check out the video below for a thorough and hilarious explanation.

As much as I admire Colbert and try to model my life after his, I’m not yet sold on his explanation. A certified master bladesmith told The Washington Post why a crossguard lightsaber would be dangerous to the user. While Colbert knows a great many things that cover an astonishing variety of topics, I think I’m going to go with the certified master bladesmith on this one.

Besides, the crossguard lightsaber clip shown in The Force Awakens trailer seemed like it was trying to one-up the first time Darth Maul busted out the double-bladed lightsaber in the first trailer for The Phantom Menace. Eventually, it’s going to lead to stupid things like this:

Guardians of the Galaxy Meets…Friends?!?

What do you get when you mashup the smash movie hit Guardians of the Galaxy and the smash television hit Friends? The answer is…a shockingly entertaining video that makes a lot of sense. Think about it for a minute. The witty and sarcastic Peter Quill makes total sense as Chandler Bing. The slow and loyal Drax the Destroyer is perfect as Joey Tribbiani (when you add green skin pigmentation and years of human growth hormone abuse). Since there’s only one lady in the Guardians lineup, I guess Gamora has to be Monica, Rachel, and Phoebe.

Anyway, check out the clip below and let me know what you think of this funky mashup of Guardians of the Galaxy and Friends. In case you missed it, here’s my review of the movie.

Random Thoughts on The Newsroom Season 3, Episode 3

The third episode of The Newsroom season three (“Main Justice”) was clearly the worst one this year and one of the worst in the show’s history. It had several unbelievably ridiculous situations and an unpalatable dose of Aaron Sorkin’s disdain for newness. That said, it was also the sexiest episode in the show’s history, with a beautiful new addition to the cast and a scorching steam room scene. Here are some random thoughts on The Newsroom s3e3.

Anything Goes — The episode starts off with Atlantis Cable News producer Gary Cooper singing “Anything Goes” as he strolls into the office on a Saturday. After Gary turns the corner and sees the FBI raiding the office, “Anything Goes” quickly becomes, “What the f@ck is going on?!?”

I’ve always liked the Gary Cooper character and always been disappointed that he’s a background player. That’s true for this episode too, but the audience learns more about Gary this episode. He has a nice voice, he knows show tunes, and — thanks to a wonderfully awkward meeting with the new human resources VP — he’s the office lothario. Gary Cooper is cool.

News Night vs. the FBI — One of the most unbelievable scenes in The Newsroom’s entire run, the News Night gang engages the FBI in a game of chicken. Unhappy with the FBI’s search, ACN president Charlie Skinner pretends to call the Los Angeles studio with the intention of breaking in with a live report on the search of the New York office. The rest of the team follows his lead in an absurdly perfect way and the FBI falls for the ruse. I don’t believe for a second that a newsroom team could outsmart FBI agents through impressive improv skills. Come on now.

ACN For Sale — On the Atlantis World Media level, CEO Leona Lansing and president Reese Lansing go to Charlie’s office with the unfortunate news that they have to sell off ACN in order to retain control of AWM. Leona looks genuinely disappointed and touches Charlie’s hand in a subtle, but meaningful way. The guy the Lansings intend to sell to, Silicon Valley millionaire Lucas Pruitt, has all sorts of ridiculous “new media” ideas for the network. He’s also an unlikable prick. It’s another example of Aaron Sorkin’s disdain for the modern world. While I agree that a lot of modern reporting is wretched, the writing here is way too preachy. It’s the “good and pure” old-fashioned way of reporting the news vs. the “crap and tainted” way that new media does it. Like I mentioned in my last recap, modern media has introduced many excellent things along with a lot of trash. Writing about a “people stalking Danny Glover channel” is preposterous and I can’t believe that a Silicon Valley millionaire would propose such a preposterous idea.

Slumdog Millionaire’s Venezuelan Vacation — The audience learns that Neal Sampat is hiding out in Venezuela (no extradition!) by way of Cuba by way of Calgary. His situation has gone from bad to worse. The News Night superpowers and their awesome lawyer have been summoned to Washington for a source shakedown. News Night anchor Will McAvoy believes that his star status will protect him from the worst. Unfortunately, he’s served a subpoena at the White House Correspondents’ Dinner. The law is coming down hard on Neal and the News Night staff. Apparently the government doesn’t like journalists assisting in espionage and (accidentally) coercing sources to uncover classified government documents.

The Source is…Hot — At the White House Correspondents’ Dinner, the source of the leaked documents revealed herself. She’s played by the lovely Clea DuVall. I’ve always been a fan of her and I was thrilled to see her on the show. She stole my heart in But I’m a Cheerleader and now she steals classified government documents in The Newsroom. Clea has come full circle (not really). While seeing sexy Clea DuVall was fantastic, she wasn’t the sexiest part of this episode. That distinction goes to the…

Sexy Cougar Steam RoomNews Night executive producer McKenzie MacHale had a clandestine meeting with her longtime friend, FBI special agent Molly Levy. The scene was…hot. Watching two beautiful cougars discussing serious matters in a steam room while wearing nothing but towels leaves a lot to the imagination. I can see the fan fiction now. “Special agent Levy searched Mac, caressing her in a commanding and sensual way that made sure that Mac knew that she must have her now.” Hold on. I’m going to go watch that scene again.

Jim Harper, Doormat — Senior producer Jim Harper had a lot more screen time this episode, but spent most of it getting his ass kicked by the women in his life. Associate producer Maggie Jordan treated him like dirt (more on that later) at the office, while his girlfriend Hallie Shea (Meryl Streep’s daughter) treated him like dirt at home.

The argument between Jim and Hallie touched a nerve with me. Hallie received a job offer from a website that awards its writers bonuses for traffic. That’s a common thing these days, but Jim was shocked by the practice. On one hand, it fits into Sorkin’s “I hate the Internet!” ramblings. On the other hand, traffic bonuses are responsible for millions of crappy articles. I hate the practice for lowering the standards for Internet writing and introducing the clickbait phenomenon, but I’ve also accepted that that’s how the Internet works these days.

New Competent Maggie — Oh Maggie…what have you become? Once the awkwardly charming girl in the office, Maggie has become a confident and successful woman. She has also become completely unlikable (at work, anyway). She’s belligerent, insubordinate, and violent in the office. I hate the message that sends. It’s as if you have to be an a-hole in order to be successful. While that’s true in many cases, there are plenty of nice people that have accomplished great things. Hopefully it doesn’t get to the point where the audience is thinking, “I wish you died in Uganda, Maggie!!!” With two episodes left, there might not be enough time to redeem her.

Human Resources Hates Love — The aforementioned new VP of human resources has it out for interoffice romance. While Will is too big of a star to go after, the HR guy takes aim at 10PM executive producer Don Keefer and his sometime replacement anchor Sloan Sabbith (played by the dreadful Olivia Munn, but you already knew that). This storyline seems like filler. It feels so unimportant with the FBI raiding the office and the team reporting on the end of the world. Speaking of which…

This is the End — The Environmental Protection Agency admin that Maggie met last episode was a guest on the Friday edition of News Night. On the show, he looked and sounded like an utterly defeated man that had given up all hope. He “shared” his hopelessness with News Night’s viewers, saying that the environment has been damaged beyond hope and that there are people alive today that will die because of what humans have done to the planet. While Don and Sloan dating is unimportant compared to the FBI vs. News Night, perhaps none of it matters if the world is coming to an end.

That would be funny if he was an intentionally crappy guest just to get back at Maggie. Then again, maybe it wouldn’t be. It would annoy the hell out of me if Maggie gets depressed over the dramatically dire story she produced and jumps lovingly into Jim’s waiting arms. Ugh.

Foot Locker’s Week of Greatness Commercials Completely Rule

The ad campaign for the Foot Locker Week of Greatness is exceptional — easily one of the funniest and most entertaining series of commercials I’ve seen in 2014. Taking athletes and sports entertainers from boxing, basketball, and WWE, these commercials poke fun at the stars they feature. There are currently four ads in rotation and I love three of them, while the other…well, you’ll see.

Let’s start with the Manny Pacquiao commercial up top. It has two guys training in a boxing gym and chatting about the Foot Locker Week of Greatness. The dude hitting the heavy bag says, “The people wanted it and Foot Locker made it happen.” Pacquiao, training in the ring, overhears that last bit and thinks the two are talking about the much-wanted Manny Pacquiao vs. Floyd Mayweather, Jr. fight. This spot cracks me up for several reasons. First, Manny’s Filipino accent is just funny (all my uncles sound like that). Secondly, this fight has been discussed for years and is way past the point where it matters anymore (aside from the huge money involved). While this would have been an incredible fight four or five years ago, boxing fans know that both fighters are past their primes and the fight wouldn’t be significant on an athletic level. Oh well, at least the preposterous negotiations gave us a funny commercial.

Next up is a spot that features Houston Rockets shooting guard James Harden. While Harden’s offense has exploded since being traded from the Oklahoma City Thunder, his defense has regressed. While it’s not nearly as bad as some make it out to be, there’s no doubt that his defensive efforts aren’t what they used to be. In the ad, Harden takes umbrage at being called defensive, saying that he’s never defensive and that he’s the last person you’ll ever see being defensive. It’s funny and I really like that Harden isn’t afraid to make fun of himself.

The commercial above is an NBA two-for. You get Chicago Bulls guard Derrick Rose and San Antonio Spurs power forward Tim Duncan! While it would have been hilarious to see Derrick Rose pretend to injure his knees due to excitement over the Foot Locker Week of Greatness, D-Rose is merely there for the assist. The real star of this commercial is Tim Duncan. Making fun of his reputation of being stoic and emotionless, Duncan expresses his excitement for the Foot Locker Week of Greatness in a wonderfully deadpan way. The part where he (not really) knocks over the plant kills me every time I see it.

Wrapping it up is a Foot Locker Week os Greatness featuring WWE Superstar John Cena. It makes fun of pro-wrestling being fake. It’s a cute spot and Cena has millions of fans…but I’m not one of them. He’s a super-nice guy, but I’ve never enjoyed Cena as a performer in WWE and I didn’t enjoy seeing him in this ad.

When you get a chance, check out all four Foot Locker Week of Greatness ads and let me know which one you like best (please!).

Foot Locker Week of Greatness

Random Thoughts on The Newsroom Season 3, Episode 2

The second episode of The Newsroom season three had more of what fans love and what critics hate about Aaron Sorkin’s show. It also had an ending that felt incongruous with the rest of the episode. The show had a pair of triumphant returns (Leona! Rebecca!), a pair of lovely new additions, and an ending that felt like The Fugitive. Here are some random thoughts on The Newsroom s3e2.

Return of the Awesome Old Ladies — Leona Lansing (Jane Fonda) and Rebecca Halladay (Marcia Gay Harden) are two of the best characters in The Newsroom. As the CEO of Atlantis World Media (AWM) and the company’s legal counsel, respectively, they’re a pair of powerful women that are proud of their power. Fonda and Harden deliver their lines sharply, but in different ways. Fonda’s Lansing is an in-your-face tigress, while Harden delivers Halladay’s lines softly, but the impact is just as hard. They’re immensely entertaining characters and it’s wonderful to have them in the mix again.

A Douche on the Side of the Angels — For me, the show’s MVP continues to be Reese Lansing. Aaron Sorkin writes a lot of great lines for a lot of characters in every episode, but so far Chris Messina has been doing the best job of owning scenes. As the president of AWM, Reese is dealing with a hostile takeover from his half-siblings, Randy and Blair. The incredibly sexy Kat Dennings is a fantastic antagonist as Blair, while Christopher Nicholas Smith plays a delightfully vapid Randy Lansing. While Dennings is easier to pay attention to due to her gorgeous looks and harsh lines, I was impressed with Smith’s portrayal of a slow trust-fund kid. He reminded me of several people I’ve met in Los Angeles.

Getting back to Reese Lansing, Messina has crushed the first two episodes of The Newsroom. Other actors on the show have had lines written for them that are on par with Messina’s, but nobody has been as consistent with their delivery.

Don and Sloan Get Testy — On the romantic front, an unfortunate situation with insider trading has gotten Don and Sloan to label their relationship. There’s some great banter between the two, starting with buffet trickery and ending with an awesome “I love you” test. The chemistry between these two characters is great and I have to give it up to Olivia Munn. She might be a wretched human being, but she’s highly entertaining in The Newsroom. Between the seriousness of the AWM hostile takeover and Neal’s accidental espionage, Don and Sloan provide a fun and frivolous distraction from the weighty issues.

Scenes From a Train — Heading back from her television debut in Boston, producer Maggie Jordan in on a train heading back to New York. I’m not sure why 10PM anchor Elliot Hirsch isn’t with her, but I’m guessing he stayed behind with his family in Boston or talent was entitled to a more advanced form of transportation. Whatever the case, Maggie makes the most out of her AmTrak ride. She overhears a rep from the Environmental Protection Agency (EPA) expressing his (off-the-record) disgust with the Obama administration, confronts the EPA agent over his comments, feels guilty about slouching in a chair to spy on the EPA guy’s conversation, decides not to do anything with the info she overheard, and is rewarded by the EPA guy with an exclusive story. Oh yeah, she also catches the eye of a strapping young Fordham Law professor.

On paper, Maggie’s AmTrak adventure is way to preachy and unrealistic. She got the information fair and square, and I can’t imagine a producer just dropping it. The Newsroom’s pundits will point to this situation as another naive and dreamy Sorkin parable that shows that people will be rewarded for doing the right thing. She snagged an exclusive and a handsome man by being a just person! While I understand people hating this storyline, Alison Pill was really cute in it.

[Side Note: The handsome Fordham Law professor was played by Jimmi Simpson. He and Thomas Sadoski acted together in the Jason Biggs’ classic Loser.]

Superflous Jim — Atlantis Cable News senior producer is still a background player after two episodes. This time around, he was featured in a superfluous storyline with his girlfriend Hallie Shea (Meryl Streep’s daughter!). For reasons that defy logic, Hallie sends out a tweet on the ACN account — the kind of tweet that would never be typed by an experienced reporter. Naturally, the tweet gets picked up by every Internet outlet imaginable and Hallie gets fired. Aside from Sorkin reinforcing his disdain for Twitter and the Internet in general, these scenes were useless filler.

Sexy Thick Mary McCormack — Early in the episode, ACN executive producer MacKenzie McHale goes shooting with her FBI agent friend Molly Levy. Mac isn’t really there to sharpen her skills as a marksman. Instead, she asks Agent Levy how much trouble Neal Sampat is really in and if he will get nailed for espionage. Levy says that Neal will probably get slapped with a contempt charge and likely spend 10 days in jail. Happenstance being what it is, Agent Levy just happens to be in charge of the FBI raid on ACN. That was way too convenient.

When I first saw Agent Levy, she looked familiar to me. Then I figured it out — she played Howard Stern’s wife in Private Parts! Actress Mary McCormack has gotten quite a bit thicker since Private Parts, but I found her to be very sexy. Her face is still beautiful, I like the idea of a hot FBI agent having her way with me, and chicks with guns are hot.

Slumdog Fugitive — Neal Sampat spent most of this episode in a conference room, reviewing his legal situation with Rebecca and, eventually, most of the ACN senior staff. He adamantly wants to report on the leaked documents he received and is prepared to deal with the consequences. The Newsroom hero and News Night anchor Will McAvoy doesn’t want to see one of his charges go to jail. After several rounds of intense debate, Will notices that Neal’s expression has changed. Neal appears content, which Will immediately picks up on and knows that the FBI will hit the office shortly. The two have a very cute big brother/little brother moment…

…and then the episode got weird. Instead of the comedic drama that usually fills The Newsroom, the episode jarringly shifts to a spy thriller. Will makes creative use of menus to send secret messages. Neal destroys his phone and goes on the run. While the drama definitely hit a new level, Neal becoming “The Fugitive” felt strange. Oh well, let’s see where it ends up next week.

Random Thoughts on The Newsroom Season 3, Episode 1

The boys and girls of Atlantis Cable News are back! Everyone’s (not everyone’s) favorite dramatization of not-quite current events, Aaron Sorkin’s The Newsroom, has returned and my world feels a whole lot better. While I understand why some people hate-watch the show, I’m a sucker for Sorkin’s witty, dense, and rapid-fire writing. Here are some random thoughts and reflections on “Boston,” the first episode of The Newsroom season three.

Still dealing with the fallout of the Operation Genoa story, the News Night gang is trying to gain back the trust of the public. The crew is understandably skittish and gun shy. Thankfully, that didn’t get in the way of two important questions being asked:

Why did Greek yogurt suddenly become a thing? — Will MacAvoy

When did walnuts start going into chicken salad?!? — Elliot Hirsch

Bridesmaids to Bombings — The episode starts in Will McAvoy’s office, where our hero and his bride-to-be (and executive producer) MacKenzie McHale are discussing the amount of bridesmaids for their upcoming nuptials. Mac has nine bridesmaids pegged, but Will doesn’t have nine male friends to match up with them. Suddenly, Mac catches an explosion on a monitor. It’s the tragic Boston Marathon bombing, which serves as the real-news backdrop of the episode.

Don Still Rules — Meanwhile, the coolest cat in the newsroom — Don Keefer — is stuck in jury duty. He gets a text about the bombing and awesomely talks his way out of his civic duties. Don is far from the antagonistic prick he was in the first few episodes of season one, but his wit is still (entertainingly) razor sharp. I really enjoyed Don playfully taking jabs at Sloan’s “investigation” (more on that later) and Neal’s crackpot Internet sources. While this was a good Don episode, he wasn’t my MVP this show. That award goes to…

A Kindler, Gentler Reese — Speaking of no longer being an antagonistic prick, Atlantis World Media president Reese Lansing has done a total 180. Formerly a corporate overlord that only cared about the bottom line, Reese now onboard with News Night’s mission to do the news “right.” He supports the newsies, while also challenging them with the realities of business. In addition to dealing with the ACN crew, Reese has to deal with running all of AWM, his party-happy siblings, potentially disastrous quarterly earnings, and a bomb dropped by Sloan (again, more on that later). Chris Messina is fantastic in this role. His character is juggling a bunch of plots and he deftly delivers memorable lines concerning each of them.

Aaron Sorkin Hates the Internet: While it permeated several episodes of the first two seasons, The Newsroom writer’s disdain for the Internet is the loudest it has ever been in this episode. He rails on all the Internet writers that spreaded bad information on the Boston Marathon bombing. Innocent people were incorrectly identified as suspects by Internet writers and the Internet being what it is, the misinformation spread like wildfire. While Sorkin has a point in this particular case and there’s certainly a ton of crap Internet reporting, his preachiness comes off as antiquated. There are a lot of great resources on the Internet and there’s also a lot of crap reporting in old media. In fact, I’d say that it’s easier to find credible reporting on the Internet than it is on television. Still…love the dude’s writing.

Mike Tyson Olivia Munn Mysteries — The most unbelievable part of this episode was our dear friend Olivia Munn’s storyline. As you know, her character Sloan Sabbith has two PhDs in economics. Olivia Munn playing a character with dual doctorates is difficult to believe, but since her character’s social awkwardness often overshadows her intellect, it’s easy to forget that she’s supposed to be a financial genius. In this episode, Sloan is using her $24,000 Bloomberg Terminal to uncover a mysterious media buy. Yeah…right. Watching Olivia look at a Bloomberg Terminal, pretending to extract essential information was hilarious. It reminded me of Denise Richards pretending to be a nuclear physicist that uses her vast scientific knowledge to bail out James Bond. Suspension of disbelief is impossible.

Tag Team Promos — My favorite scene in this episode was ACN president Charlie Skinner and Will chastising the staff for cheering about a CNN retraction. Sam Waterston was brilliant, as always, while Jeff Daniels hilariously played the stooge. It reminded me of this Vince McMahon and Steve Austin locker room sketch. Charlie lead the speech, while Will comedically reinforced everything Charlie said.

Slumdog SnowdenThe Newsroom’s Internet nerd, Neal Sampat, gets a beefy plot this season, as he received more than 27,000 stolen government documents. Neal mentioned Wikileaks in a previous episode and is the only character equipped to handle an Edward Snowden-like situation. Unfortunately, he asked for a few more documents from his mysterious source. Will points out that this constitutes espionage. I’ve been a fan Dev Patel since Slumdog Millionaire and I’m happy that his character has more to work with this season. I also love that he’ll be heavily interacting with AWM’s hired legal gun Rebecca Halliday, awesomely portrayed by Marcia Gay Harden.

Where’s Waldo Jim?News Night’s senior producer is a background player in this episode, but I have a feeling that he’ll get more play on the romantic front in future shows. For reasons that don’t make sense to me, Jim’s girlfriend Hallie Shea (Meryl Streep’s daughter!) now works as Neal’s minion at News Night instead of running her own political website. You know, because the office needs another romantic coupling on top of the Will/Mac and Don/Sloan pairings. Jim recommends the former object of his affection, Maggie Jordan, to serve as Elliot Hirsch’s field producer in Boston. Will and Mac are skeptical, but Maggie comes through. After her triumphant moment, Jim gets a little twinkle in his eye. I’m hoping that Jim will have a Betty/Veronica situation, but don’t really expect one to get fleshed out since this season is only six episodes long.

Our Little Maggie is All Growns Up — Still traumatized by the tragedy she experienced in Africa, Maggie has exchanged bad haircuts for hellish stomach crunches. Working on the Boston story with 10PM anchor Elliot Hirsch, Maggie has to shift from field producer to on-air talent after she mistakenly gives Elliot some chicken salad with walnuts. Elliot is allergic to walnuts and his tongue starts swelling, rendering him incapable of coherent speech. After Maggie nails her television debut, Elliot gives her a tender, fatherly hug. I’m kind of meh on Maggie right now. She was adorably awkward in season one and annoyingly angry in season two. That said, I’ll always give her a chance. The character reminds me so much of my dear Zoe (Alison Pill’s awkward hand gestures are eerily similar to my Best Best’s).

McAvoy Rises — Will had a strange outing this episode. As expected, he was gruff and shouty throughout the show, but he started on a weak note. He absolutely failed at giving a pep talk, meant to invigorate the crew as they pursued the Boston Marathon story. Later, he served as Charlie’s John Oates during a dress-down speech. He closed out the show with a confidently angry soliloquy that we expect from him. While he’s the center of The Newsroom, I enjoyed that he wasn’t the center of this particular episode.

Coming Next — As a fan of The Newsroom since day one, I enjoyed this episode. It wasn’t the best, but I didn’t expect it to be. Since the final run is only six episodes long, there were a lot of plots to establish. This episode got them all running, while serving up the rapid-fire dialogue that Sorkin fans love. More importantly, it got me excited about the rest of the season. I’m looking forward to some Neal and Rebecca legal powwows. I can’t wait for Jane Fonda’s triumphant return as AWM CEO Leona Lansing. Most of all, I’m terribly excited to see Kat Dennings’ debut on the show. That woman is pretty close to perfection.

If you have a chance, let me know what you thought of the “Boston” episode of The Newsroom.

Colbert, Gamergate, and Anita Sarkeesian

I’ve been avoiding writing about #Gamergate because it’s stupid, overblown, and generally not worth thinking about…but this clip from The Colbert Report is too good. Watch Stephen Colbert chat with Feminist Frequency author and media critic Anita Sarkeesian about the Gamergate situation. Yes, Gamergate has cost me a couple of thousand dollars because some a-hole Breitbart readers click-botted my website, but I believe that you only have two choice in such situations — laugh or cry. Thanks to Stephen Colbert, I can chuckle at the whole stupidity of Gamergate and feel a little bit better about my day. Check out the clip when you get a chance and let me know what you think of it. You can earn bonus RPad points by identifying all the games you see in the clip. (Note: RPad points are worth as much as your Xbox Gamerscore…which is to say that they’re worthless.)

Edit: The video has been updated to two videos! The intro to Colbert’s Gamergate piece is above, while the chat with Ania Sarkeesian is below.

Stephen Colbert Report

Bret Hart’s “Who Are You to Doubt El Dandy?” Promo

As great as WWE legend Bret “The Hitman” Hart was in the ring, few pro-wrestling aficionados would say that he was stellar on the mic. For the most part, The Hitman cut dull promos that weren’t particularly interesting, inspiring, or memorable. Sure, he had his moments as the anti-American Canadian babyface during the Attitude Era, but compared to guys like “Stone Cold” Steve Austin, Hulk Hogan, The Rock, etc., Bret was a bit boring.

Then there was Bret’s WCW run, which was pretty lame compared to his WWE work. His ring work was uninspired, he was given dumb angles, and Goldberg ended his career with a botched spot. With that in mind, it’s surprising that one of The Hitman’s best and funniest promos took place in WCW. I’m talking about the legendary “Who Are You to Doubt El Dandy?” promo.

The promo starts off slowly, so skip ahead to the 1:22 mark. That’s when the magic starts to happen. “Mean” Gene Okerlund tries to put over Booker T as a worthy challenger for Bret’s US Championship title. The Hitman scoffs at this and rattles off some wrestlers he deems worthy. Bret tries to put over cruiserweight luchador El Dandy. After Gene protests, Bret delivers the awesome line of, “Who are you to doubt El Dandy?” Next, he tries to suggest Psicosis, but erroneously calls him Hypnosis. Ha! It’s hilarious stuff from a guy that’s usually not very funny.

Check out the promo below and let me know what you think of the shockingly funny Bret “The Hitman” Hart promo. After you’ve done that, ask yourself one question — who are you to doubt El Dandy?!?

Special thanks to my pal Lorie for inspiring this article with this Instagram post.